I start with one architecture — a room, real or imagined.

Inside it, I see several worlds. I bring them out, one by one, each in a single frame. The same room. Different lives.

From these, one is chosen. That one I open further — two or three more frames of the same world, seen from different angles. A small series. Moments from a film that was never shot.

Light and breath matter as much as furniture and art. One wrong object and the world breaks